Our
Monstrous War
Construction of the museum as well as the reparation
and exhibition of antiquities were completed in 1973.
Arrangements were under way to hold an international
glass history exhibition at the beginning of the year
1976. However, the war broke out in Lebanon and left
its brutal impact on this highly significant edifice.
Hiding
of Antiquities
Dr. Hareth Bustani, head of the Museums Department at
the time, recounts how he worked hand in hand with Mir
Maurice and his wife, an Rinata Ortali Tarazi to hide
antiquities and evade robbery and damage caused by
shelling. They took out all the exhibited antiquities
including Jbeil collections, took photos of them and
put them in boxes after having made lists of them.
Afterwards, they moved them to underground storage
areas and covered them with earth for camouflage. All
antiquities that they had no room for in those stores
were transmitted to the Department's stores in Jbeil
and Saida. The valuables were taken to the Central
Bank.
Restoration
The museum had to be restored at the onset of the 90s
with the return of peace to Lebanon.
The Development and Construction Council launched its
restoration of the museum project.
On the 19th of November, 1993, it started removing all
traces of destruction from its walls and facades. By
the end of 1991, Friends of the Museum Committee
resumed contracting with foreign associations to
restore the antiquities, and secure funds necessary
for the rehabilitation and restoration plan. It
obtained an amount of $ 125.000 to repair the
building, of which $100.000 was donated by Audi Bank.
Along the same line, art historian, Nina Gidijian
participated in tidying up the library and Mr. Ghassan
Tweiny donated the iron door on the ground floor
of the museum. UNESCO assigned a large team to work in
the museum equipped with
a number of PCs.

First
Opening
With the ceremonies celebrating the golden jubilee of
the Independence in the year 1995, the museum was
inaugurated in the presence of former President Elias
Hrawi. A painting exhibition was held and the public
stepped into the museum for the first time after 18
years of civil war.
Complete
Plan
The Ministry of Culture together with the Antiquities
Department prepared a complete plan composed of four
phases. The first phase includes
restoring the external facades. It began in February,
1995 and ended in November of the same year. The
Antiquities Department financed this phase the cost of
which was approximately equivalent to an amount of
$800.000.
During the second phase the cement
blocks covering the large antiquities in the museum
were removed. It was concluded in November 1995 and
financed by the Department as well. Its costs amounted
to $20.000.
In the third phase the storehouses in
which the antiquities were kept were opened. The
assigned teams started making lists of the small-sized
antiquities. The implementation of this phase was
launched during mid 1996 and is ongoing. A team of
five archeologists from the Museums Department is
handling this phase with the assistance of British
specialists. The lists so far include 70.000 pieces of
antiquities that were cleaned, restored, filmed, and
entered as new computer databases in order to be kept
in safes in preparation for their exhibition in the
museum.
The fourth phase includes designing
the exhibition halls. The French architect Jean
Michelle Filmot prepared interior designs and came up
with concepts for exhibiting antiquities in the halls
that are to be executed during this year.
A major
problem faced by assigned teams during the process of
restoration of the museum lies in the accumulation of
underground water whose height reaches 1m at times and
causes a 98% humidity and infiltrates inside the
stores overflowing the antiquities and causing vast
damages. The Development and Construction Council made
contracts to extract this water and drain it
permanently. Sukleen s.a.l. was given concession to
remove the ruins from the ground and first floor of
the museum and clean them.

Second
Opening
On 11/24/1997, and during the Independence
celebrations, a huge inauguration of the National
Museum was held in the presence of former President
Elias Hrawi and Premier Rafic Hariri and their wives
and a large number of officials, intellectuals, and
media representatives. International communication
media covered the event. Hence, the museum remained
open for a period of seven months and a half after
being closed for 21 years. The visitors were received
in the four halls of the ground floor only which are: Ashmoun,
Aheeram, The Seven Wise Men, and The Giant of Jbeil
in which large and middle-sized antiquities were
exhibited such as tombs, statues, crowns and columns
and more.
On the
15th of July, 1998, Mrs. Muna Hrawi announced closing
the Museum for restoration reasons. Implementation of
the second phase was about to begin, and lasts for 5
months. At the time, the Ministry of Finance undertook
that institutions that take part in the restoration
process would be exempted from taxes.
How
did the work progress at the National museum? Sources
declare that work is in progress. The process of
installing air conditioners and electrical supplies,
and equipment maintenance is being completed. Show
windows are ready. Making lists of small antiquities
is ongoing. Two of the storehouses have not been
opened yet because the work teams are still waiting
for tidy stores to move the restored pieces to. The
museum will be ready for reopening within 5 months.
Donations
All significant projects like the restoration of a
national museum require huge amounts of funds besides
great efforts. 4 million U.S.D is the total cost of
the restoration operation. It is an intriguing point
because the Ministry of Culture and the Antiquities
Department cannot possibly extract this kind of money
from their yearly budget that amounts to 5 million
dollars.
It is
common knowledge that the private sector took on a
major amount of the total costs. Large credit can be
given to "The National Foundation of
Culture" whose main objective since its inception
in 1996 was to rehabilitate the National Museum. For
this purpose, it held a series of cultural events and
concerts in the Museum, the revenues of which go to
its rehabilitation and restoration plan. "The
Friends of the Museum Committee-London Branch"
chaired by Claude Doumet Serhal contributed as well.
It held events in Lebanon and abroad to collect
donations. In addition, a large number of business
men, bankers and intellectuals, residents and
emigrants, gave considerable donations.
Everyone
hopes that the remaining phases of the restoration and
rehabilitation process will be completed, unless this
rosy picture uncovers further scandals pertaining to
the antiquities case.