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Synopsis:
This
visually
breathtaking
film
from
New
Wave
director
Eric
Rohmer
uses
hand-painted
sets
that
depict
18th
Century
Paris,
the
English
lady's
home,
and
the
surrounding
countryside
with
a
vivid
effect
that
looks
like
a
realist
oil
painting
brought
to
life.
Set
in
the
mid-1700s
during
the
French
Revolution,
THE
LADY
AND
THE
DUKE
tracks
the
profound
friendship
between
Grace
Elliot
(Lucy
Russell),
an
English
woman
who
lives
in
Paris
and
insists
on
staying
there
throughout
the
war,
and
The
Duke
of
Orleans
(Jean-Claude
Dreyfus),
the
cousin
of
Louis
XVI
and
Grace's
former
lover.
Russell
(FOLLOWING)
gives
a
superb
performance
as
the
headstrong,
political,
beautiful,
and
daring
Grace
Elliot,
whose
real-life
memoirs
inspired
Rohmer
to
make
the
film.
Dreyfus
(DELICATESSEN)
plays
her
perfect
counterpart--powerful
and
unwavering,
yet
charming,
caring,
and
honest.
As
each
scene
of
the
film
magically
bleeds
into
the
next,
the
painterly
backdrops
make
it
difficult
to
discern
3-D
objects
such
as
chairs
from
the
trompe
l'oiel
flat
painted
sets.
Characters
enter
or
exit
with
shocking
life
as
the
camera
matches
them
to
the
color
and
texture
of
the
painting.
Majestic
black
horses
that
pull
carriages
over
the
"cobblestone"
streets
shimmer
with
velveteen
realness.
Meanwhile,
tension
brought
on
by
the
war
adds
strain
to
the
friendship
between
the
lady
and
the
duke,
and
as
the
audience
endures
the
fall
of
the
Bastille,
the
September
Massacres,
and
the
finally,
the
king's
execution,
they
are
captivated,
entertained,
and
historically
nourished.
This
film
screened
in
October
2001
as
part
of
the
39th
New
York
Film
Festival,
organized
by
the
Film
Society
of
Lincoln
Center
in
New
York
City.
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