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Ever
since
they
stunned
the
music
world
with
their
2000
debut
album
Born,
Bond
have
been
defying
convention
and
preconceptions.
String
quartets
are
not
usually
chased
down
the
street
by
adoring
fans
or
known
to
get
high
school
boys
to
jump
up
and
down
manically
at
the
front
of
their
gigs
-
but
then
Bond
are
not
exactly
your
regular
strait-laced
black
clothed
string
quartet.
To
recap
for
the
uninitiated:
Haylie
Ecker
(first
violin),
Eos
Chater
(second
violin),
Tania
Davis
(viola)
and
Gay-Yee
Westerhoff
(cello)
are
classically
trained
musicians
of
distinction.
They
set
pulses
racing
with
their
look;
and
passions
raging
depending
on
what
side
of
the
musical
divide
you
are
on.
Those
unfettered
by
convention
embrace
their
free-spirited
approach
to
classical
music.
For
the
classical
establishment
it
is
a
bit
much.
Confusion
over
where
they
fit
in
was
apparent
from
the
off
when
Born
went
straight
in
at
No.
1
in
the
UK
Classical
Chart.
It
was
ejected
one
week
later
for
its
dance
beats
and
not
having
supposedly
enough
classical
content.
That
did
not
prevent
the
band
being
invited
to
open
the
Classical
Brits
in
2001
and
2003.
Bond’s
first
three
albums
-
Born,
Shine
and
Classified
-
garnered
sales
of
over
3
million.
In
September
2004
after
the
release
of
Classified
all
three
albums
were
in
the
Top
15
of
the
crossover
chart
in
the
States
while
in
Australia,
Classified
was
No
1
in
the
pop
chart.
Now
their
best
has
been
distilled
into
Explosive:
The
Best
Of
Bond
including
their
hits
Victory
and
Viva
(Born),
Fuego
and
Shine
(Shine)
and
Explosive
(Classified),
plus
three
previously
unreleased
tracks.
The
disc
also
includes
for
the
first
time
three
Bond
videos,
a
picture
gallery,
and
all
audio
tracks
in
surround
sound.
Born,
Shine
and
Classified
marked
a
journey
of
musical
and
self
discovery
for
these
virtuosi.
At
the
core
of
Bond’s
composition
lies
a
love
of
their
classical
roots
and
all
its
different
layers
of
meaning;
the
romanticism,
the
melodies,
the
drama,
the
sheer
joy.
This
was
reflected
particularly
in
their
live
performances
where
Bond
would
sweep
around
the
stage
-
they
were
mesmerising
because
you
knew
and
felt
they
believed
in
what
they
were
doing.
You
could
see
their
impact
in
the
scale
and
type
of
audiences
from
the
Royal
Albert
Hall
to
Sydney
Opera
House,
from
Hong
Kong
to
Santiago,
and
record
stores
confirmed
it;
Bond
were
bringing
in
a
new
younger
breed
of
listener
who
would
not
normally
venture
near
classical
music.
People
were
drawn
by
Bond’s
high
voltage
sound
fuelled
by
dance
beats
from
hip-hop
to
salsa
to
chill-out.
The
public
were
intrigued
and
wanted
to
find
out
where
this
music
came
from.
The
band
all
have
personal
experience
of
fans
telling
them
they
were
a
gateway
to
taking
up
a
musical
instrument
or
to
further
explore
classical
music.
But
it
would
be
a
mistake
to
think
of
Bond
as
just
taking
classical
numbers
and
putting
a
beat
behind
them.
Their
forte
is
to
take
a
classical
theme
and
rework
it
with
their
own
modern
spin.
It’s
about
making
the
music
both
relevant
and
alive,
rather
than
bowing
reverently
to
fusty
museum
pieces.
It
helps
that
they
are
a
visual
feast.
Their
hyper-glamorous
visual
style
is
a
natural
extension
of
their
personalities.
Their
look
has
inspired
Issey
Miyake
to
design
a
range
of
clothes
around
them.
They
have
secured
sponsorship
deals
from
watchmaker
Raymond
Weill
to
American
department
store
chain
Marshall
Fields.
They
have
even
had
a
cameo
appearance
playing
themselves
in
the
Bond
spoof
Johnny
English
with
Rowan
Atkinson.
Bond
have
performed
in
front
of
the
Brandenburg
Gate
in
Berlin
and
live
from
New
York’s
Times
Square
on
Good
Morning
America.
They
have
opened
the
Miss
Universe
beauty
pageant
in
Panama
City
and
performed
at
the
opening
of
the
Grand
Prix
in
Australia.
In
short,
Bond
are
indisputably
a
global
phenomenon.
Tracklist:
1.
Victory
2.
Explosive
3.
Fuego
4.
Viva
5.
Shine
6.
Wintersun
7.
Scorchio
8.
Duel
9.
Gypsy
Rhapsody
10.
Caravan
11.
Sugar
Plum
12.
Carmina
DVD
contents:
1.
Audio
tracks
in
surround
sound
2.
Promo
video
-
"Victory"
3.
Promo
video
-
"Fuego"
4.
Promo
video
-
"Explosive"
5.
Picture
gallery
6.
Bond
discography
Bondographies:
Haylie
Ecker
-
Haylie
Ecker
from
Perth,
Western
Australia,
is
first
violin
in
Bond.
She
holds
a
Bachelor
of
Music
degree
with
First
Class
Honours
and
a
diploma
in
Advanced
Solo
Studies
from
London’s
Guildhall
School
of
Music
and
Drama.
She
has
played
extensively
around
the
world
as
soloist
and
continues
her
classical
violin
career
in
addition
to
playing
with
Bond.
Eos
Chater
-
Eos
Chater,
second
violin,
earned
an
Honours
degree
from
the
Royal
College
of
Music.
She
is
from
Cardiff,
Wales.
Before
Bond,
she
founded
and
played
in
a
string
quartet
dedicated
to
performing
music
by
living
composers.
She
also
wrote
string
arrangements,
and
played
with
many
pop
groups
including
The
Divine
Comedy,
Cocteau
Twins,
Lamb,
and
Julian
Cope,
as
well
as
performing
in
music
videos
for
Gabrielle
and
Mark
Knopfler.
Tania
Davis
-
Tania
Davis
is
from
Sydney,
Australia,
and
plays
viola
in
Bond.
She
holds
a
Bachelor
of
Music
degree
with
First
Class
Honours
from
the
Sydney
Conservatorium
and
a
Postgraduate
Diploma
in
Performance
with
Distinction
from
the
Guildhall
School
of
Music
and
Drama,
London.
She
is
also
a
violinist,
and
has
worked
professionally
with
orchestras
including
the
Australian
Chamber
Orchestra,
Sydney
Symphony
and
London
Symphony
Orchestra.
Gay-Yee
Westerhoff
-
Gay-Yee
Westerhoff,
from
Yorkshire
in
England,
is
the
quartet’s
cellist
and
holds
an
Honours
degree
in
Music
from
Trinity
College
of
Music
in
London.
Gay-Yee
has
performed
with
groups
including
Primal
Scream,
Spice
Girls,
Talvin
Singh,
Embrace,
Sting,
Bryan
Adams
and
Barry
Manilow.
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